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a giant valentine for Mom and Dad

Georgia O’Keeffe-inspired art

sewing and stenciling

stars and stripes

sugar-cube and vanila frosting buildings

9 ways to use index cards

I’m buried under index cards, hence this post.

1. Lists of all kinds. Book lists. Shopping lists. To-do lists. Lists of clothing and shoe sizes for everyone in your family. Lists of movies you want to watch. Lists of supplies for art projects.

2. Write a poem or flash fiction to fit on an index card (okay, you can use the back as well).

3. Doodle on them.

4. Write an inspiring quote on one. Tack it up on the wall, put in your pocket, keep propped up on your keyboard. I should slip one in my laptop that says, “GET OFF THE INTERNET” but then this post would never get published.

5. Write notes on them for the loved ones you share your house with (yeah, *those* people). Slip in your spouse’s lunch, hide them in the book your kid is reading.

6. Flashcards! Who needs to buy any when you have index cards? Seriously.

7. Schedule out your week or month in index cards, one for each day.

8. Use them to organize your thoughts. Remember the SUCCES model from Made to Stick? Before any kind of situation where you’re communicating a message–business meeting, agent pitch, teaching lesson–write out the one mission-critical point you want to get across.

9. And when you’re done, you can recycle them by: using them as bookmarks, letting your kids get tearing or cutting practice, gluing them into scrapbooks and art journals.

Really into index cards? Check out the following links:

24 Things You Can Do With An Index Card

Indexed

I’m trying to make it through lesson 3 of HTRYN, so I’m afraid you’ll have to do without the smorgasbord of Internet delights that I offer up every Sunday. However, in honor of Valentine’s Day, name some of your favorite couples (fictional or otherwise).

Mine, in no particular order:

Gen (sorry, Eugenides) and Irene (sorry, Attolia) from The Thief series by Megan Whalen Turner

Sylvester and Phoebe from Georgette Heyer’s Sylvester. Also Mary Challoner and the Marquis of Vidal in Devil’s Cub by the same writer

August Falcon and Gwen Rossiter from Patricia Veryan’s The Jewelled Men series

And since D. and I are eagerly following Farscape these days, Crichton and Aeryn (though the whole “one step forward and three steps back” nature of their relationship is starting to pall a wee bit)

Who are your favorite TV/book/movie/real life couples?

ps:

I don’t know if any of you have noticed, but I finally changed my header picture. It’s a lot brighter around here and the pink and red fit with Valentine’s Day a whole lot better.

Yes, it doesn’t take much to make me happy.

friday fun: celebrations

With Valentine’s Day coming up (and the Chinese New Year falling on the same day), I’ve been thinking about all the different celebrations I know of and sorting them into different categories.

There are beginning-of-life celebrations, such as birthdays, naming days and baptisms. There are rite of passage celebrations, like graduation, wedding showers, housewarmings and baby showers. There are end of life rituals like wakes, and days to remember the dead (Memorial Day, Day of the Dead).

There are celebrations around religious and historical figures and events (feasts of the Saints, Christmas, Eid al-Adha, Fourth of July). One of these is the English (is celebrated in other parts of the UK as well?) Guy Fawkes’ Night, which celebrates the failure of a guy to blow up Parliament by shooting off fireworks and burning him in effigy. I’ve always found that one odd and amusing.

There are seasonal celebrations, and those that mark events of agricultural importance. Winter Solstice celebrations, harvest celebrations, fertility rites all come under this. I expect hunting societies have their own share of hunting-related rituals and celebrations, though none springs to mind immediately.

My sunless world of Quartz has a moon with a funky orbit. Twice a year (their definition of year), it stays in the sky for double the “normal” time and goes around the horizon in a belt-like orbit.  The denizens call this Girddlesday and this is the time for contracts–marriages, treaties, trade agreements, and the like.. After the second Girddlesday of the year (let’s call this the Greater Girddlesday), the people mourn the disappearance of their primary celestial light source. When the moon rises again on New Year’s Day, they celebrate with performances, free food and drink, parades of large animals (very rare on that world).

If you could create a celebration, what would it be? What kind of celebrations would aliens on Jupiter have, or the folks on a colony ship that has been in space for generations? What would selkies or vampires or avian-humanoid hybrids celebrate?

The Chathrand is a queen among ships; immense, six hundred years old, carrying over a thousand people, the stage on which political conspiracies and magics are being played out. On board is young Thasha Isiq, the daughter of a general and ambassador of the Arqual, sent as a Treaty Bride to forge peace between her land and the Mzithrin Empire. But, as tarboy Pazel Pathkendle learns, the true nature of the Chathrand’s mission is darker, bent on war and destruction. A cast of deliciously interesting characters people the story–Hercol, the valet-cum-dancing master-cum-warrior; Dr. Chadfallow who may or may not be evil; Ramachni, a mage from another world; Sandor Ott, the Emperor’s spymaster; Captain Rose, who is probably mad, and a host of others.

I’ve read a lot of fantasies, and even with the inclusion of magic and other races, many of them feel mundane. Redick presents a wondrous world with immense ships made of long-extinct wood; clans of Liliputian people treated (and dealt with) as vermin; woken animals that have gained speech and thought. The world feels huge with islands scattered like jewels across the different seas and the knowledge that there is lots of land beyond the edges of the map. The story is large in scope, with the fate of empires and the small states crushed between them hanging in the balance.

A sweeping epic may feel impersonal, but a large amount of the action and perspective rests on the shoulders of Pazel Pathkendle, lowly tarboy, son of a traitor, an outsider from a conquered city, cursed with the Gift of tongues that leaves him susceptible to mindfits. Pazel brings the best elements of a boyish hero into this book; courage, resilience, optimism. His status is such that he could’ve easily been kept to a reactive role, but he shows initiative (if not judgement!), and his bond of friendship with fellow tarboy Neeps and his first-love feelings for Thasha are endearing.

My quibbles with the novel are few. One, the author relied too much on the text of private journals and letters  and hearsay (“I heard it from the rat, who heard it from the bird, and now I’m telling you”) to reveal secrets. There were places where I felt characters leapt to conclusions, which, while correct, didn’t logically flow  from what they already knew. And, it was annoying (it always is!) when the teenagers were not taken seriously by the scoffing and superior adults when they said so-and-so was evil (and they were right). The Fellowship of the Ring moment at the end was a little cheesy, too. However, even though the story was not over at the end (this is book one of three), the writer brought about a satisfying resolution.

If you like epic coming-of-age fantasies (or ones that take place on ships, like I apparently do) The Red Wolf Conspiracy will captivate you. The sequel comes out mid-February. I have good timing!

I am a (re)writer

I’m convinced that what separates the professional-level writer (published or not) from the enthusiast is the thoughtful, deliberate act of revising. Often, the focus is on just getting the words out on the page. There are organizations, books, communities and other cheerleading squads dedicated to helping writers get their stories down on the page. What we often forget or gloss over is that the first draft is only step one of the process.

The first draft is like getting together your raw material, assembling your tools, creating that first sketch, making a miniature model. In order to get a book that is cohesive, consistent, and worthwhile for others to read, a writer must master rewriting.

Rewriting (or revising) is not the same as line editing. Rewriting is not agonizing over word choices, tweaking dialog or making sure that Susan still has blue eyes on page 80, like she did on page 7. Rewriting is the ability to look at your story in terms of plot arc and character development. It’s to make sure that your conflict is present and meaningful; your plot is logical and plausible according the rules you have set for your world; and your characters don’t do dumb out-of-character actions.  Rewriting is a process in which your left brain and right brain work together to uncover the story you wanted to write from the mess of words in front of you.

Rewriting is a hard skill to learn. My first book, The Changeling, was a rather clean first draft. It didn’t take too much work to get it to the point where it is the book I wanted. Yes, it still has issues, namely of the pacing kind. It has a prologue; it has many chapters about the main character growing up; the inciting event that kicks off the whole quest journey doesn’t even happen until a third of the way through the book. It may not be a marketable book, but it is the book I wanted to write and I’m happy with how it turned out.

My second book, though (*shudder*). My MC spent most of the book reacting instead of acting. I kept secrets way past their expiration date. Instead of bringing out those things into the open and using them as conflict, I spent most of the book trying to keep everyone in the dark while all these inexplicable things happened just so I could pull out my aces (ta da! Here’s what everyone’s been hiding!). It turned the book into a big mess that has been a headache to revise.

Then we have Quartz, the most broken book of all. So broken that it didn’t just end, it petered out. So broken that the last chapters are peppered with notes to myself in red font–”blah blah blah” “boring!” “I don’t want to write this scene so I’ll just move on to the next”. Somewhere along the way, in spite of a dynamic opening, great dialog and some truly exciting action scenes, I got off track. Now I was stuck in the mud, wheels spinning uselessly. I knew Quartz needed a major overhaul, but revision was never my strong point. I approached rewriting in a haphazard, insert-a-comma-here-delete-a-scene-there sort of way.

Then along came the How to Revise Your Novel course. Since I had no method (and only madness!) to my revising, I decided to try it Holly Lisle’s way. There is a strong left-brained aspect to the course (complete with worksheets and index cards) which works for me (all the jobs I’ve had—and been good at–have been detail-oriented and task-focused). Instead of my usual scatter-shot approach, I’m combing through my ms in a more systematic way. So far, it’s both manageable and enlightening. And best of all, I’m no longer as overwhelmed as I normally am when facing a rewrite.

So, taking Quartz through that course has been the major component of my writing this year.

How about you? How do you handle the process of revision?

Sunday linkfest

The Broaden Your Horizons Edition

Three Things Writers Can Learn from Photographers: I love how different creative pursuits shape and inform each other.

Creative Experiments: February: daisy yellow posts monthly experiments to jumpstart those of us with creativity block. The experiments that specially intrigue me: art inspired by circles; drawing (as opposed to writing) letters and numbers; finding an ingenious solution to a problem (once I decide which of my myriad issues to focus on, heh); art based on a list (I love lists!). Are you tempted to rack up some creativity points?

Just Try (via Megs): Natalie Whipple on how fear keeps us from failure by taking us out of the game. I am a cautious, risk-averse person so this is something I need to overcome all the time. A must-read if you’re like me!

The Gap Year: Susan Wise Bauer advocates for a gap year between high school and college, based on her experience as both a college student and a college professor. What does this have to do with writing or even creativity, you wonder? It’s because most of us are locked into the belief that there is one conventional path to our goals. You go to school, you go to college, you get a job. You write a book, rewrite a book, query an agent, wow an editor, get a publishing contract, go back to square one if you don’t succeed. This is a challenge to think outside of the box, to step back, to ask “why?” in response to “this is the way things are done”. To consider alternative paths for reaching *your* unique goals.

friday fun: food

Bread and cheese. Dried beef and hardtack. The ubiquitous stew. Food in fantasy can be remarkably dull. I always appreciate unusual cuisine in the books I read. I love a well-written dinner party or tea. I love attention paid to food in stories, the preparing and eating of it, even if it does make me feel hungry (like right now–this post is making me hungry so I’m keeping this one short).

Here’s a raw snippet from Quartz that takes place around a platter of stuffed mushrooms. Rafe is the protagonist, and Isabella is this maddeningly mysterious woman he’s been searching for. Right now she’s pretending to be a servant at a ball he’s attending, and he just spotted her:

“Aren’t you going to stop and wave that platter of delicacies under my nose?”

Her back was to him; he just saw the merest stiffening of her shoulders before she turned in one smooth movement and held out the platter. “Forgive me, sir. I had not seen you. Would you like to try some of these delightful little stuffed mushrooms?” Her face was expressionless, her voice cool.

Rafe stared down at caps in varying shades of black and brown, some smooth and uniform, others white-flecked. Their filling oozed out the sides. He pursed his lips, and, like the elderly gentleman, let his fingers hover above the mushrooms.

“Lady Brightmoon is known for her attention to little details. Look at this one pearled all over with fish paste, and that one with the bright blue filling, that precisely matches the hue of that urn behind me. I wonder what gives it that peculiar shade.”

“I don’t know, sir. I can ask in the kitchens, if you like.”

“No, I don’t like, actually. I want this platter right in front of me for now.” Her arm must be hurting from holding out that heavy silver thing, but it was nice to have her be at a disadvantage for once. Rafe stood between her and the door, and the ballroom and foyer were full of milling crowds. Even if she threw the platter at him and ran, she wouldn’t make it far. Running through crowds was about as effective as swimming in syrup, unless you had someone go in front of you shouting “Leper!’

“Do you think this stuffing is made of silverfin guts? They make me nauseous. I would hate to lose the contents of my stomach all over this polished floor—and your lovely borrowed costume.”

“Floors can be cleaned. So can clothes.” Her extended arm still held steady at both wrist and elbow, the platter was exactly where she had first raised it to.

Rafe selected a mushroom with a spiced bread and onion stuffing and popped into his mouth. He took his time chewing and swallowing, then proclaimed. “Superb. My compliments to the cook.”

“I’ll be sure to tell him,” she said, oversweet, with a touch of bared fangs in her large smile. “Finished, sir?” The platter was motionless, waiting for his reply, as though it were a point of pride with her to be the best servitor she could be.

“With the platter, yes.” Rafe lowered his voice. “With you, no.”

Isabella raked him over with a smouldering-coal gaze. “You mistake my role, sir. I only serve food on platters at parties. Nothing more.”

Good goddess! Did she actually think that he would have indecent designs on her? Besides the wanting to shake her at times kind of designs, that is. He would’ve laughed, if he weren’t so incensed with her taking that tone of moral outrage. After all, she was the party-crasher, not him. And he did not for a moment think that she was here for a night of honest work, for once.

“I imagine that it is strange for you to be here as a servitor,” he said, still low, almost growling. “When you could’ve been here as a Marchioness.”

The platter dipped alarmingly, and both Rafe and Isabella put out their hands under it to steady it. His hand caught hers; her cold fingers cradled briefly in the warmth of his palm. Rafe pulled back as if burnt just as Isabella shook his hand off. He settled for grasping the nearest edge.

A couple strolling in, the girl’s hand chastely on the youth’s arm, glanced at them. Rafe said, “Be careful, miss, you nearly tipped the mushrooms onto my breeches. I never thought the help here would be so careless” for their benefit—and his own.

“Sorry, sir.” Isabella snatched the platter from his fingers, then added in a fierce whisper. “I wish I had dropped it on your foot. Why can’t you learn to leave well alone?” Louder, she added, “There are more pastries out in the smaller supper room. Sugared flowers, honeyed marbled chips, liquered chocolates. This way, sir.” She spoke loud enough so that several pairs of eyes glanced over briefly to see who the glutton was, and stepped out into the foyer.

Rafe smiled ruefully at her back. He had no doubt he deserved the embarrassment after his own petty behavior.

What unusual foods do you have in your stories? Have you written scenes in which food is a major component? Do you have any favorite books that feature food heavily (non-fiction included)? Mark Kurlansky’s Cod and Salt: A World History include several recipes from days gone by, most of which are um.. interesting, at least. I draw the line at eating fragrant rotted fish (at least for myself and my family–my characters, not so much), though. What awful things have you made your characters eat?

1. Write a scene or a short story in a different genre. Take a stab at a mystery if you write literary fiction, try romance if you usually write military scifi.

2. Set a dialog-heavy scene (a couple arguing, the hero finally catching up to the villain who betrayed him) in an unusual locale (like the vertical face of a mountain) or dangerous situation (the spaceship’s hull has been breached).

3. Write poetry.

4. Create an art journal page and write on it.

5. Do writing prompts. I’ve been using the Imagination Prompt Generator recently.

6. Be inspired by an image. Check out a photo site, take pictures in your neighborhood, look at coffee table books.

7. Research a (narrow) topic you don’t know much about. Write a story or scene using some of what you discovered.

What are the ways you like to play?

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