spider silk: the logistics of luxury

The world’s largest spider silk garment is on display for the first time at the Victoria & Albert museum. Spider silk is one of those ultra-exotic luxuries that crops up from time to time in fantasies, often imbued with magical powers. A spider silk cape, one can imagine, might come with Spidey powers: keen senses, near-invisibility, the ability to leap from building to building. It’s so easy to throw spider silk into the economy of one’s fantasy world, along with heart-sized rubies and mollusk-made purple dye.

However, this article shows that some things are too rare and too labor-intensive to be more than one-time novelties:

To create the cape, British art historian Simon Peers and his American business partner Nicholas Godley spent five years collecting and harnessing over 1 million spiders in special “silking” contraptions to extract their threads, 24 critters at a time.

On average, 23,000 spiders yield roughly 1 ounce of silk, making the process intensely laborious and time-consuming. It’s not hyperbole then to claim that the textiles are among the world’s most rare and precious objects—liquid gold, if you will.

Unless, of course, you have a high-tech world where they’ve figured out how to manufacture artificial spider silk.

Or they have really really big arachnids.

*pause*

“Spider hunter” on that world might be an um… interesting job!

I would love to touch spider silk cloth, though. Just to see how it feels.

What about you? What rare or one-of-kind item would you like to see in person or hold in your hand for a few minutes?

don’t listen to yourself

We live in a culture that wants us to be in touch with our feelings. We’re encouraged to lay ourselves open so we can examine every nuance, every tone, every chord of our emotional states. We have cheerleaders–from celebrities to magazine articles to self-help gurus–to tell us our feelings are the truest part of us, to exhort us to listen to ourselves, to let it all out.

Can I offer an antidote to all this emotionalism?

Don’t. Don’t put feelings first. Don’t let them reign supreme in your life. Don’t let them control you.

See, I’ve been there. I’ve listened to my feelings, I’ve dived deep in them, swam in them, rolled in them, wallowed in them. I’ve held pity parties in my head, and invited all my emotions to come hang out and be loud and tell me what they really really think feel.

It’s not pretty.

Feelings are valid, but they are not always right. Feelings are ephemeral, fly-by-night, dependent on body chemistry and external circumstances.

Feelings, if you let them, can sap your will, overrule your mind, and sabotage your dreams. I’m tired, they whine, I’ve had a hard day. I deserve to sit down with my feet up and watch Numb3rs all evening. Or, No one’s called me in three days. They don’t love me. They don’t appreciate me. Or, How come she got published, and not me? She’s a no-talent hack. Or, I’m just a failure. Nothing ever goes right for me. I’m unlucky, misunderstood, underappreciated. I need a chocolate truffle.

Now, don’t misunderstand me. I’m not suggesting we find the Emotions Off switch and flip it. Because we are not robots, and emotions are an important part of us. Often, emotions are symptomatic of underlying problems. Hey, I’m sad all the time. Maybe I need medical help or I’m angry a lot. I need to find a way to deal with the stress in my life. We need to deal with our feelings in a healthy way, not let them rampage all over our lives.

Stewing in ones own emotional juices just leads to a funk. I speak from experience.

So, how to deal with strong feelings? Here’s what I’ve learned from years of internal conflict with moodiness and negative emotions.

Recognize where particular feelings come from. Tiredness, stress, hunger and other physical conditions can magnify our emotions (as a parent, I am very familiar with this). Earlier in our marriage, I kept my poor long-suffering husband up wayyyyy too late some nights, detailing every nuance of my feelings of failure, inadequacy, and sense of being slighted. It didn’t matter what he said; I was determined to wallow in my exhaustion-magnified misery. If only a divine voice had spoken up and told me to shut up and go to bed. Funny how things always looked so much better in the morning.

Talk to ourselves, instead of just listening to ourselves. Let reason assert itself over the emotions sometimes. I know, reason gets a bad rep these days, but sometimes you do have to give yourself tough love. You do have to tell yourself that you are being unfair and kinda of a jerk for being jealous of someone else. You do have to say “Too bad” when your feelings complain that they just neeeeed and deseeeerve to kick back and relax, instead of work on that story.

Find something else to do. Spinning wheels, going around the same emotional track over and over again, is not helpful. If you can’t deal with the situation that caused the feelings in the first place, or they are beyond your control, do something else. Sometimes we can deal with feelings by just changing out circumstances. It might mean unplugging from the Internet, if a volatile issue is making you see red. Go outside and talk a walk. Exercise. Meditate. Do the dishes. Whatever you can to clear your mind and subside the raging rapids that is your emotional state.

Do you find yourself giving far too much airtime to your emotions? How do you cope?

wednesday open thread

I started to write a post–actually two posts–but neither of them are ready for prime time. So rather than throwing something substandard up here, I’m opening the floor to reader-dictated content. Do you have any questions for me? About my inspirations or the status of various writing projects? About my writing process? Comments on my stories or blog posts? Anything I’ve written, either as a story or post, is fair game for questions!

(I’m in and out of the house all afternoon, so it may take a while for me to respond, but I will.)

tools for nanowrimo

Hello, NaNo-ers! Just wanted to wish everyone participating in this delightful madness good luck. It’s a wild ride, a crazy month, a burn-your-muscles-and-make-you-sweat workout. You’re not alone though–there’s a whole community of writers ready to support you, encourage you, and drag you along by your hair, should you need it.

It’s also nice to have some tools to make reaching that 50K goal that much easier. Here are some that help me out when I have  a writing goal and a hard time getting down it.

If you’re into tracking numbers and calculating daily goals, try out WriteTrack. It’s a wordcount tool that let’s you adjust your goals as life happens. Full disclosure: My husband–2009 NaNoWriMo winner–created this as he was dissatisfied with other wordcount trackers. But 342 unbiased iguanas and 210 agreeable aardvarks think this tool is great, so you don’t just have to take my word for it. *grin*

I don’t know about you, but I like to write to music. Pandora lets me create stations to fit my every mood. From adventure music (a la Pirates of the Caribbean) to soft dreamy New Age (Secret Garden), I can have a soundtrack for every scene I write.

Sometimes though, I just don’t want to write. My body whines I’m too tired!, my brain whispers Take a break! You deserve it tonight. Starting is the hardest part of writing, and I need to fool my brain and fingers into writing. So, I use an online timer and set it for 10 (or 15, or 20) minutes. It’s only 10 minutes, I coax myself. Give me ten minutes, and then we’ll see about that episode of Numb3rs. Usually, after the timer beeps, I can persuade myself to do another session or two, or three. Before I know it, I’ve hit my target wordcount.

It’s the how-to-eat-an-elephant-principle. One bite at a time.

Do you have any tools you use for NaNo?

writer in training

I’m working on building up those writing muscles again, now that fall is here and we’re back into the routine of school. Funny how much more productive I am when I’m busy. I always go into the summer expecting to do lots of writing, but it never works out that way. My mind has been conditioned by almost two decades of schooling to take summers off.  This post came at the right time to help with my training!

on writing short stories

This post on plotting short stories by Aliette de Bodard is a timely one. I’m most comfortable writing novel-length stories; I guess I just think long. However, every so often I get a bee in my bonnet about writing short stories (especially as a break from the novel, or for the instant gratification factor). Occasionally, I actually succeed with a short story, but for every one that works I have a few that–for whatever reason–didn’t. I’ve decided to write another Elinor story–about 5Kish–this month, so I’m looking for all the help I can get!

So far, here’s what I’ve discovered about short stories in the last six-odd years of reading, writing, and failing to complete a number of them:

Really strong prose and/or an original concept can make a short story. A friend and I analyzed several short stories together to see why they worked. A lot of them had characters that weren’t accessible and several didn’t resolve satisfactorily, but great prose and an original and intriguing premise carried the story–at least for many people.

Short stories are also good for experimental techniques, like writing entirely in footnotes or encyclopedia entries–the kind of thing that would make readers spork out their eyes if they had to read an entire novel of it.

I prefer to have likable characters, a conventional form and a resolution, so I’m looking at other factors to make my short stories work:

Limit, limit, limit. Limit the characters, limit the settings, limit the plot complications. Sounds simple, right? But hard to do when you’re used to thinking big. Try to have only 2 or 3 characters with speaking parts. Don’t require the protagonist to travel to five different cities spread across an entire continent. Don’t have lots and lots of plot complications, like “Lyra needs the magic amulet of Ambabi to prevent her little brother from turning into lime Jello at dawn, but first she has to find the Wise Ostrich who needs her Magic Feather back before she can transport Lyra to the Cave of Serpents, where Lyra has to battle the Serpent King, but after she wins it turns out the magic amulet was stolen yesterday by the Evil Monkey…”

Start as late as you can. Yes, they say that about novels, too, but I think it’s especially important in short stories. If your big conflict is getting your heroine out of an enemy camp, start with her already *in* captivity, instead of walking along the jungle paths looking for tasty bananas for her supper. If the conflict is getting off a hostile planet you’ve crashlanded on, start with being stranded, and fill in the relevant backstory as you go along.

Keep the scope focused and personal, even if the stakes are global. Instead of having the mighty armies clash on the battlefield, zoom in on the duel-to-the-death between the two commanders that will settle the fate of two countries. Make these conflicts personal, between individuals, even if the consequences are far-reaching.

Do you have any wisdom to share in the writing of short stories?

first draft blues

My first draft writing muscles have apparently atrophied during the Year of the Revision. Instead of first draft fun, I’m getting first draft slog. Where’s the wild wonder of unfettered storytelling? After forcing the daily 500 words on to the page, I’m relieved to be done–and more than happy to enjoy Avatar: The Last Airbender guilt-free.

I have so much anxiety about this book. It’s all tying me up in knots. I’ve planned and outlined and mindmapped and brainstormed, but too much is hidden from me still. I’m afraid to write badly, afraid to write anything less than exquisite prose, delightful description, or brilliant characterization After having gone through the work of salvaging a wrecked first draft, I’m afraid of having another mess on my hands. Hence, the slow, over-cautious, pessimistic and perfectionist attitude I’m suffering from.

I’m hoping the daily 500 habit will break that. If not, I may have to up my target to a 1,000 words. Take that, Inner Editor! Let’s see you maintain that stranglehold on my creativity with those kinds of writing speeds. Right Brain, take back the story, or no more Avatar for you.

How’re your writing projects coming along?

i discovered i’m a discovery writer

I’ve always sorta known that I’m a discovery writer. You know, the kind of writer who starts off with a premise, a handful of characters, a beginning scene and then has to actually write the darn story to figure out the rest?

Today I really KNOW that I’m that sort of writer. And it blows my mind.

One aspect of Quartz had been giving me conniptions. Even at this late date, even after lots of brainstorming and scribbling copious notes, I didn’t have a handle on it. I have this non-POV wicked-cool character (that would be Isabella) with special abilities who fights against these wicked-wicked baddies, who also have also special abilities. My POV character stumbles into one of these battles and that scene never worked for me because I couldn’t quite figure out what exactly Isabella *does* in her fights with the baddies. Yeah, I knew she has *these* super powers, and they have *those* super powers, and she has these cool weapons, and they have… well, they don’t need cool weapons because they’re almost impossible to deal with on their own anyway, without giving them extra help, thankyouverymuch! But how all these things interacted and played out–well that part was still murky.

And watching this battle through Rafe’s eyes was not making things clearer (considering he doesn’t have much of a clue of what’s going on and his presence changes the dynamics).

So, today I wrote an extra-canonical fight scene between Isabella and one of these Baddies. Just her (and her cool weapons) and It. No Rafe, no story pressure. So, tell me, Isabella, what does a normal battle with these Baddies look like? From your first person POV? What exactly is it doing, and what exactly are you doing?

And the revelations started pouring in.

Now I know the limitations of the special abilities and the weapons. Now I know why Isabella and the Baddie are evenly-matched. Now I know the various fronts on which the Baddie attacks and how Isabella defends. Now I know why she uses her weapons in a particular way, and why she doesn’t [insert spoilers].

This has big implications for the sequel (that would be Flare *grin*). And in clarifying what happens in that one battle Rafe gate-crashes. I’m so excited, I could… bounce.

*bounce!*

AND, not only all that, I’ve figured out one way my storytelling process works. I have one more tool to add to my toolbox.

Win-win-win all around.

i have a plan! and this is the plan

So, after spending several weeks flitting from project to project (*ooh, shiny new story!* *ooh, diamond-in-the-rough old story!* *eek, getting away from me story-that-needs-complete-overhaul!*), I have a plan!

(Yes, I love making plans.)

Kai’s book (aka Riven) won the Me-first! Story Contest. The grand prize is that I write 500 words a day. Easy-peasy, right? I can do 500 measly little words. I got back into it yesterday with 261 words, and already all this cool stuff came out that I hadn’t expected. You would think I’d have learned by now to let RB  just get on with working on the first draft instead of insisting on having all the worldbuilding and plot answers beforehand.

There will also be Query Writing. My SOP for writing queries is write iteration after iteration, coming at the query from all different angles, until it all clicks together.

This plan should tide me over until the sadly-mangled ms. of Quartz lands in my Inbox.

Share your current writing plans?

doing nano? need tracker?

Check out the super-duper NaNoWriMo word tracker David’s been building in his spare time.