you can keep your Mr. Darcy

I have nothing against Mr. Darcy, really. Like almost every woman out there, I enjoy the Colin Firth/Jennifer Ehle Pride and Prejudice  but Mr. Darcy does not set my heart aflutter. I’m sure he and Elizabeth Bennet will deal very well together, but I don’t envy her good fortune. Sure, he’s rich and handsome and responsible and devoted–but perhaps a tad too boring?

No, I’d rather take a man of action, such as a dashing naval hero, like another one of Austen’s leading men: Persuasion’s Captain Wentworth.

I prefer the other adaptation of Persuasion, but this Captain Wentworth is handsomer. Yes, I'm shallow that way.

I prefer the other adaptation of Persuasion, but this Captain Wentworth is handsomer. Yes, I’m shallow that way.

Darcy inherited his wealth, but Wentworth, born with fewer prospects, earned it. And there’s just something adventurous about a man in uniform.

But a ship’s captain is bound to be away at sea for long periods of time, so perhaps one should look at self-made men in other professions. Such as North & South’s mill owner, Mr. Thornton.

Especially if he is played by Richard Armitage.

"North & South" is my favorite period drama. You should watch it. Even Richard Armitage thinks you should.

“North & South” is my favorite period drama. You should watch it. Even Richard Armitage thinks you should.

However, Mr. Thornton needs to be financially bailed out by heroine Margaret Hale at the end. Perhaps one should look at independently wealthy men again–and while we’re aiming high, how about a Duke?

Like, maybe the Duke of Salford, the titular character of Georgette Heyer’s Sylvester. Like Darcy, he is rich, well-born and insufferably proud, but he does have a great sense of humor. And the adventures he and heroine Phoebe Marlow have are laugh-out-loud funny.

Some handsome actor really needs to play Sylvester in a movie version.

Some handsome actor really needs to play Sylvester in a movie version.

However, one really doesn’t know about these literary heroes. They might have drinking problems or bad dental hygiene or rather outdated notions of what women should or should not do.

No, no. They may look good in paper and on screen, but what about the parts that were edited out? I’d rather choose a real good guy, one I can trust. Like this one:

REAL Handsome Guy with Adorable Kids

REAL Handsome Guy with Adorable Kids

Oh, wait! I already did!

To my White Knight, Chief Cheerleader, Tech Support Guy, Co-parent of three gorgeous, smart, and crazy kids, Fixer of Pipes and Broken Toys, Reacher of Objects on High Shelves, and Companion for Life–you’re the only romantic hero and leading man I want.

Happy Valentine’s Day!

movie notes: The Hobbit and Captain America

The Hobbit

I was predisposed to like The Hobbit.

First, it was the movie part of the dinner-and-a-movie date that David and I had to celebrate our ten-year anniversary. To put this in perspective, David and I have gone to the movie theaters only thrice since we became parents eight years ago (the other two times for the first Transformers movie and Disney’s Tangled). And nobody wants the movie they see for their tenth wedding anniversary to be a dud.

Second, Thorin is played by Richard Armitage, who also plays Mr. Thornton in my favorite period drama, North & South.

And third, the song. This song. *shivers up my spine*

Er, now on to the movie itself.

Peter Jackson is obviously trying to solidify The Hobbit as a prequel to The Lord of the Rings. Not only did he bring back familiar sets and familiar music, but he added a lot of material foreshadowing the re-emergence of Sauron. A lot of moments–like Gandalf hitting his head on Bilbo’s chandelier, and the flight and fight on the bridges in the mountain–mirrored parts of LoTR.

I liked that dwarves get to be heroes, especially after Gimli was nothing more than comic relief in LoTR. I enjoyed Martin Freeman’s Bilbo much better than I did Elijah Woods’ Frodo. He has more range of expression, at any rate.

For the first time, I saw Elrond happy. I guess I can’t call him the Bitter Elf any longer…

Captain America

I saw this recently, after having watched The Avengers. I liked Captain America. I liked his unashamed patriotism. I liked his character arc from ninety-pound weakling to lab experiment to chorus girl and finally to super hero. The romance was handled with a light touch, very nice.

I was amused to see Hugo Weaving playing Agent Smith again. ;)

I wish that there had been more time to develop the characters in Captain America’s elite team of Hydra-butt-kickers. As it is, aside from Captain America’s BFF, I didn’t even know–much less remember–the names of anyone on his team.

AND I am annoyed that the ending of the movie–emotionally wrenching as it was–is based on such utter terrible PLOT FAIL. If the writers had spent more than five minutes thinking about it, they could’ve come up with a better reason for WHY Captain America HAD to crash the plane into the ice (besides, yanno, as a convenient reason to get him from WW2 to the 21st century).

As it is, I heartily agree with this “How it Should Have Ended” video:

Have you seen either or both of these movies? What did you think?

video

The Hobbit

I finally get to see The Hobbit this weekend!

In the meantime, here is Peter Hollens singing Misty Mountains (this sends tingles down my spine):

 

Brave: not your average coming-of-age story

I sat down to watch Brave with few expectations. All I knew about the storyline was that there was a red-headed girl… and archery… and Scotland… mysterious standing stones… and a bear?

Ten minutes into the movie, I thought I had its number. It was obviously going to be a girl runs off to have adventures denied to her because she’s female, and saves the day movie. Maybe with a dose of …then she meets a handsome dude who’ll love her for who she is thrown in for good measure.

I was wrong (oh, you tricksy, tricksy movie!).

Brave

Merida does have adventures–and you can say she saves the day–but only after she messes up. The emotional core of the story is not a romance, but the relationship between mother and daughter. Merida’s growth as a character is not becoming the Warrior Woman Who Saves the Clans, but about recognizing her own part in her conflict with her mother.

I was delighted by this movie, which came at just the right time to dissipate some of my YA fiction fatigue. I’d gotten to the point where I’d drop a book like a hot potato when the dreaded words “but the hot new guy knows more than he’s telling” (and their variations) appeared in the blurb. I was tired of books with female protagonists surrounded by guys, with nary a meaningful relationship with another woman in sight. I didn’t like how parents disappeared off the face of the earth in most young adult fiction. And I was so over seeing martial prowess as the only type of strength worth aspiring to.

Brave tackles all of these in the best way possible. I almost cheered at the lack of hot dudes (really, most people do not meet Mr. Right in high school, or at the equivalent age). I was moved by the relationship between Merida and her mother–the clash of their strong wills, their inability to reach one other, the strength of their love underneath the hurt and guilt. I love how Merida’s mother shows her strength as queen, not with a sword in her hands, but with her words. I love how she can stop a brawl in her hall just by walking down the length of it. She shows Merida another kind of weapon to add to her arsenal (along with her archery prowess), just as Merida shows her mother that it’s okay to be a different kind of princess.

This was a refreshing addition to the coming-of-age genre. If you watched Brave, what did you think of it?

 

video

Friday Fun: Pacific Rim Trailer

Guys, guys! Have you seen this?

Alien invaders! Giant robots! *swoooon*

Now, story-wise this might be a pretty pathetic movie (*cough*Transformers*cough*), but I’d go just for the special effects. And the robots. Must not forget the robots.

via SF Signal

a list for wednesday

1. I have a guest post on atypical fantasy protagonists up at the Turtleduck Press blog. Come check it out!

2. Also,  you might’ve noticed I’m doing interviews and guest posts recently. This is my Low-Key Sorta Blog Tour for Rainbird’s release. I’m happy to do more of these, so if you have an open spot on your blog that you want to give me, feel free to ask. I’d appreciate it. :)

3. Remember that last week I shared the Peter Hollens and Lindsey Stirling version of the Game of Thrones theme music? Well, their Skyrim rendition is even better! I am hooked on this.

 

How’s your week going?

threats from outer space

Those of us who read and write fantasy and science fiction like our conflicts on a large scale. Forget about family feuds and bickering neighbors–we like wars that engulf whole continents, Dark Lords that threaten to drain the life force of the entire world, and weapons that can take out entire planets.

And since I like to spice my fantasy with a dash of science fiction, I am always interested in world-destroying, humanity-menacing threats from outer space and the many forms they can take.

An Alien Invasion

This is the classic threat, really. From H. G. Wells’ War of the Worlds onward, aliens have invaded our TV screens and our pleasure reading for decades. V: The Final Conflict was one of my favorite sci-fi TV shows as a teen. In movies like Independence Day, Signs, and Titan A.E. and books such as Ender’s Game and The Kraken Wakes, aliens are bent on taking over Earth and destroying or subjecting humanity.

And you thought this was a book about sea monsters…

The Thread in Anne McCaffrey’s Pern books is an interesting variation on the alien invasion trope. Thread is biological, but not sentient, a mindless parasite that consumes everything organic.

And then there are stories like Avatar, where the alien invaders are–us.

Meteorite* Strike

We all know how bad a meteorite strike can be–just ask the dinosaurs.

*crickets chirping*

K, so we can’t ask the dinosaurs, but while Earth may survive a big strike by a meteorite or comet, humans may not. This is the scenario in the movies Deep Impact and Armageddon (neither of which I have seen, by the way–these are husband-provided examples).

Or, you can combine the alien invasion and the meteorite strike and get something like Terry Pratchett’s The Fifth Elephant: Giant elephant slams into the Discworld in the dim, dark past, creating vast deposits of fat.

Megatons of screaming, angry elephant bearing down on the world? Now that’s a frightening thought.

Strange Space Phenomenon

You don’t need to physically harm Earth in order to throw our civilization into chaos.

In John Wyndham’s Day of the Triffids, a shooting star show blinds everyone who sees it. Chaos ensues.

In Blake Crouch’s Run, everyone who witnesses an aurora is suddenly gripped by an uncontrollable homicidal urge to kill everyone who didn’t. Chaos ensues.

In our very real life, scientists warn us that a solar flare could disrupt our technology. Chaos will ensue.

The Vogon Construction Fleet

Yes, this deserves its own category. In Douglas Adams’ Hitchhiker’s Guide to the Galaxy, Earth is destroyed in order to make way for an interstellar bypass.

It’s nothing personal.

Miscellaneous Space Threats

Besides these categories, there are threats by black hole, rogue planets smashing into our own, the inevitable expansion of the sun at the end of its life, and the ripping of the space-time fabric. All of which make the hearts of apocalypse rubber-neckers like me go pitter-patter.

What other threats from outer space–real and imaginary–can you think of?

* Edited to use the correct terminology. See dkoren’s comment below.

Once Upon A Time, season 2 trailer

via SurLaLune Fairy Tales

Who else is looking forward to season 2? *bounce!*

childhood influences: why I write what I do

In the past few weeks, I posted about why I think I write science fantasy. When that turned out to be a discussion on how to define the genre, I went on to elaborate how the different languages and vocabularies of fantasy and science fiction are blended in science fantasy.

Today I have a confession: The reason why I write science fantasy has very little to do with a reasoned, thoughtful approach to writing fiction and everything to do with my childhood influences. Behold.

(Note: science fiction elements in red, fantasy in blue, science fantasy in purple)

Exhibit A: ThunderCats

Feline humanoids with super powers flee their dying planet in spaceships and crash-land on another planet. There they encounter new friends  (unicorn-herding sorcerers, warrior maidens, galactic cops, and robotic fruit-harvesting bears), make a powerful new enemy (a five-thousand-year-old living mummy), and build a fortress and a cool tank. Their leader, a hotheaded young warrior with a magic sword, is constantly in and out of trouble.

 

These robotic bears must run on ethanol

 

Exhibit B: Rainbow Brite and the Star Stealer

A magical girl who brings spring to earth travels across the universe to confront an evil space princess who is bent on adding a diamond planet to her collection of jewels. Features talking horses, both real and robotic, robots and spaceships, lizard creatures and magical belts.

I may have been one of the few people who, upon learning of the discovery of this planet, exclaimed, “They found Spectra!”

 

“Nobody can own Spectra! It’s the light of the whole universe!”

 

Exhibit C: Warriors of the Wind

I know, I know this is the horribly-mangled English-language version of Nausicaa of the Valley of the Wind, but I loved it as a kid and I don’t care that it cut out all the heavy-handed environmentalism. I’m grateful to the newer English version of Nausicaa for clearing up some plot points that had always puzzled me, but the dialog of Warriors of the Wind was funnier and I knew most of it by heart.

So. Blurb: In a post-apocalyptic world taken over by a toxic jungle and giant insects, a small peaceful kingdom is brutally attacked by a warlike state (with airplanes, tanks, and guns) when an ancient weapon is uncovered within its borders. Nausicaa, the princess of the Valley of the Wind, who has a strange connection with the giant insects, struggles to bring peace between the nations, and between humanity and the denizens of the jungle. There is also a prophecy.

 

I covet that glider.

 

It’s no wonder that I write genre soup, happily tossing fantasy and science fiction elements into my fiction.

What were your childhood influences? How have they affected your writing or other art?

are you my genre? on defining science fantasy

There is no doubt that I write fantasy. The whole secondary-world settings kinda give that away.

The trouble starts when I try to narrow my work into a sub-genre.

My stories don’t have the scale and scope of epic fantasy. They don’t have the the coming-of-age themes or adventures of heroic fantasy. I stay away from writing in a historical or alternate Earth setting, so those genres of fantasy (including steampunk) are out. Some of my work is obviously based on fairy tales, but a large part is not. YA fantasy is a nice catch-all, but my protagonists are mostly older and I write with an adult audience in mind.

But, Rabia, why not call your genre traditional fantasy and be done with it?

Well, see, that’s what I started writing, way back when. My first novel was set in a pseudo-medieval world, with its attendant attitudes and technology. But since that book, my worlds have become more modern. They feature indoor plumbing and firearms, trams and trains, elevators and radios. My societies perform great feats of science and engineering, whether its using a radioactive element to punch portals into other worlds or hanging an artificial sun on a track made from the skeletal remains of a cosmic dragon. I have magic in my worlds, but my sorcerers are just as likely to be scientists as they perform genetic experiments and create mechanical constructs.

And not only that, but I have a fixation with what goes on in high above the ground. My first novel featured a sorcerer-made flying fortress. I love to deprive worlds of their suns and create weird universes. The back stories of many of my races has them traveling from other planets. Events on my worlds are affected by what comes from the sky, whether it’s space dust or the aforementioned cosmic dragons.

You could blame all this on too many episodes of The Universe. But truth is, science fiction elements have always crept into my stories and woven themselves into the background.

Can it be that I’m really writing science fantasy?

Turns out that it’s not too easy to define what science fantasy is. It’s a fluid genre with fuzzy boundaries. Often it looks to be straightforward fantasy, with the science fiction elements so well-hidden that they come out either in later books or in bonus material. Or it might look like science fiction until the elves and dwarves show up.

Take for example, Anne McCaffrey’s Pern book. The first book, Dragonflight, has a pseudo-medieval and low-technology setting that is familiar to readers of traditional fantasy. It contains dragons, another classic fantasy element. Yet the threat to Pernese society comes not from Dark Lords rising from their underground tombs, but in the form of Thread falling from the skies when the Red Planet draws near to Pern.  In later books we learn that the dragons were genetically engineered to fight Thread and that the Pernese people can trace their origins back to our Earth.

The Star Wars movies are often classified as science fantasy, and I can see why. When you take fantasy conventions (princesses, a brotherhood of mage-monks with arcane powers, swords–even if they are made out of lasers and called sabers) and plunk them into a universe with spaceships, firearms, and tanks, you’re blending the two genres. I think one could even put Cameron’s Avatar in the same sub-genre.

I love both science (chemistry and anything space-related) and the humanities (literature and history). When I write science fantasy, I’m free to draw inspiration from both these wells. And that makes for a happier writer and better stories.

Do you read or write science fantasy? Do you have any other examples of the genre? How would you define it?