avatar the last airbender: ba sing se

Notes on the last half of Book 2:

Appa: Taking Appa away from Aang was an awesomely evil, horribly wonderful little twist. Think about it. Appa is Aang’s link to his past, the only one who has survived from his life a hundred years ago. No wonder Aang was so unhinged when he was stolen.

Dai Li: Oooh, things are not quite right in Ba Sing Se. Aang and co. just destroyed the giant drill from tunneling through the outer walls,  but no one inside cares. They’re not allowed to talk about the war, you see. And even though Aang has important information about the Day of Black Sun, he isn’t allowed to talk to the King. Smiling, blank-eyed bureaucracy stymies them at every turn. Turns out the Dai Li and their head are more concerned about keeping their power and hold over the king and city than the threat from the Fire Nation. Bad for Aang, bad for Ba Sing Se.

Zuko: Oh, Zuko, Zuko. And here I thought you were starting to come around. You grew reconciled to serving tea. You even smiled when your uncle got his own tea shop. You kept your cool when Jet tried to provoke you into revealing your fire-bending (unlike that last time, with the thugs in that earthbender village, remember?). You freed the Avatar’s bison, and dropped your Blue Spirit mask into the lake. You even went on a date! And did something nice for someone else.

And then Azula came.

Oh, I knew why you had it to make the wrong choice. Because you needed to get what you’ve always wanted–fame, acceptance, your father’s approval, a return home as a hero–and see how hollow and tinny it all was. You needed to go home and give it all up.

But still. Bad choice. Bad bad choice.

Azula: Still awesome, in the way Pratchett’s elves are terrific. She understands people and power and oh, she uses that knowledge like a sharp knife.

Still, can we say… foreshadowing?

Azula: "It's terrible when you can't trust the people who are closest to you." Foreshadowing, anyone??

Mai: I didn’t like Mai at first, but she’s grown on me. And can I just say that I don’t think she fears Azula at all? You won’t catch her going into a chute full of muddy gunk or fight over a performing bear if she doesn’t want to. Mai does. not. care. And, nyah. Azula can’t make her.

Three words: Toph. discovers. metalbending. I love LOVE watching the characters learn and discover new ways of using their bending. It adds a dynamism to the worldbuilding.

K, that was more than three words.

The Finale: This is my favorite finale of all three seasons, just for sheer on-the-edge-of-your-seat uncertainty. Is Iroh’s and Katara’s trust in Zuko misplaced? Will Aang give up Katara to achieve the true potential of the Avatar state? Will they defeat Azula and the Dai Li? It’s the lowest point of the plot arc–the last stronghold of the Earth Kingdom falls through treachery, Aang is badly wounded, and his friends barely escape with him at the end. But there is–always–still hope. And another season. :D

edited to add links to previous Avatar the Last Airbender posts:

flashback to the 80s: thundercats!

I took my youngers (5yo and 3yo) through a whirlwind tour of the icons of my childhood, courtesy of YouTube. Now, my children are pretty TV-deprived compared to your average American–we get absolutely no reception in Small Town, Vermont; we’re too cheap to pay for cable; and I’m getting crankier about commercials and silly shows in my old age. So, when I bombarded them with a stream of 80s cartoon imagery–from Inspector Gadget to Duck Tales to Silver Hawks–they pretty much sat there in stunned silence. Even my pink-loving Miss M. was like O.o???!! at Jem and the Holograms–and I don’t blame her (oh the hair, the hair! The-the makeup…. and the clothes *shudder*).

However, they did love the opening theme of Thundercats. And I can see why. The simple striking imagery, the uncluttered background, the clear character distinctions (no doubts as to who’s the Leader Dude and what type of cat he’s supposed to be!) and that darn catchy tune (a real mindworm, that), Thundercats has aged pretty well. The classic still looks better than the updated version.

And besides, it has Cheetara in it. Wouldn’t you want to be able to run so fast that you’re a blur, turn flips high in the air, whirl your staff around, and strike a cool pose? Without having a hair of your spotted style out of place?

I can do without that eye makeup, but color me jealous over her abilities

Other 80s children, which cartoons do you look back at fondly?

aside

Why the sudden interest in Snow White in TV/film land? Not only is the Snow White story (in a much-twisted form) the central fairy tale in the new TV series Once Upon a Time, but there are two Snow White movies coming out in 2012: Snow White and the Huntsman and Mirror Mirror. I have reservations about both movies, but I will probably watch the former over the latter. Mirror Mirror looks far too goofy for me, and there’s just something off about the sets that I can’t put my finger on.

Not only that, but I have steampunk-ish Snow White novella in the works, too. I swear, I started that long before I’d heard of any of the above.

 

avatar the last airbender: azula and toph

Now that Admiral Zhao is out of the way, we’re introduced to a new villain: Zuko’s younger sister, Azula.

Azula first shows up in Iroh’s recounting of Zuko’s duel with his father in Book One. Azula’s the girl sitting behind Iroh during the flashback. While Iroh averts his gaze from the fire-blast that scars Zuko, Azula watches with avid glee. She is not nice. The next time we hear of her, it’s from Zuko–she’s the prodigy, the gifted firebender, the one to whom everything came easy. Yes, the creators make it easy to dislike her already.

Azula’s scary. At this point, she’s powerful enough that she could take down any of Team Avatar in a one-on-one fight, maybe including Aang himself. She’s also smart and proactive–she certainly kept Aang and co. on the run in “The Chase”. She understands people–and manipulates them to further her own ends. She plays on Zuko’s longing for acceptance and approval from his father like a master violinist.

In the beginning episodes of Book Two, Zuko’s hit rock bottom He’s conflicted and struggling; he’s gone from banished prince to fugitive criminal, and he and Iroh have to hide as simple peasants in the Earth Kingdom. Meanwhile, Azula is strong, confident and on top of her game. She has many admirable traits, but, unfortunately, they’re combined with ruthless ambition, a conviction of her own superiority, and a lack of compassion and empathy.

Why did she end up like this? I’m going to do some armchair psychology here, based off of the flashbacks in the episode “Zuko Alone”. Turns out the young Azula was a manipulative, eavesdropping, taunting brat.  My guess is that Azula’s firebending gift threw her into her father’s orbit really early. Ozai’s certainly proud of Azula–and how her skills reflect on him–but he’s much more concerned with his own ambitions, and isn’t around actively parenting either of his children. Zuko, meanwhile, is in his mother’s sphere of influence; he probably learned to have a heart from Ursa. Azula’s left to her own devices pretty much and seems to have very little adult oversight. She’s picked up Ozai’s values–she prizes strength, firebending ability, ambition.

Azula's a win-at-all-costs type of gal

She’s so self-assured and unfazed, it was rather satisfying to see the look on her face when Iroh tosses her into the water early on in Book Two. Which might be why she went for him with her lightning strike in the Wild West town episode.

In Book 2, Team Avatar is joined by a new member: Aang’s earthbending teacher, Toph.

Toph ROCKS. (I know, I know, *terrible* pun, but Sokka’s humor must be rubbing off on me.)

After King Bumi (I always think it should be spelled Boomi–because he’s an earthbender, right? And rocks earthbended to hurl through the air go BOOM when they land, right? get it? BOOM, BOOMI? Oh never mind), gets put into an iron coffin by the Fire Nation, he tells Aang to find an earthbending teacher who waits and listens. In “The Blind Bandit”, Aang finds just who he’s looking for.

Toph was born blind, and is treated as helpless and fragile by her parents. Unbeknownst to them, she’s a great earthbender who loves to fight, and is the reigning champion of EarthRumble (the earthbending equivalent of a WWF tournament). However, her parents cannot see her as anything other than delicate, so she runs away from home to join Aang–something which leads to compications later on.

Now, Katara’s got the whole maternal, peacemaking, cooperative thing down pat. Toph’s more of an independent, don’t-sweat-the-small-stuff type. She’s not used to being a member of a team–she never even had friends before–and that leads to some friction early on. Toph and Katara are very different, especially when it comes to their handling of Aang’s training (love that the Avatar has two girls teaching him :) ). Toph’s got a drill-sergeant tough-love teaching style.

Toph’s a great earthbender and has such a strong personality that her blindness isn’t much more of a problem than say, Sokka’s lack of bending. In fact, it gives her an edge in earthbending since she’s had to learn to “see” with her feet. She’s steady and reliable, and after that one time she left in a huff, we know we can count on her in a fight. She also has her vulnerabilities, which make her more relatable.

Oh, yeah. Toph knows she's cool

We’re almost to the walls of Ba Sing Se in our watch-through. Sokka’s found out about the Day of Black Sun and Appa’s been kidnapped on Toph’s watch (okay, she was a little busy trying to keep a gigantic library from sinking into the desert, taking her friends with it). Oh, the rest of this season’s going to be on-the-edge-of-your-seat fun! My son, though, is very distressed that Appa’s gone missing.

what I’m watching: avatar the last airbender

Aang and company have finally made it to the North Pole. The Northern Water Tribe live in a city made of ice, with canals instead of streets–brr! Can I just say that the waterbenders got a raw deal on where they ended up in the world? I mean they could’ve waterbended (waterbent?) just as well on some tropical Hawaii-like archipelago…

Anyway, they might be safe from the Fire Nation for all of one episode, but personal crises are in store for Sokka and Katara. Sokka falls hard for the moon-haired Princess Yue–and she likes him back, except for one teeny thing. She’s engaged to another guy in a politically advantageous match (they never say how it’s a good match, but the fiance is a complete doofus, so it can’t be for his brains). Yue is sweet and shy and dutiful and gorgeous, but there’s a very ethereal, out-of-reach quality about her that forebodes… well, you’ll see.

Aang finds himself a waterbending teacher, but snooty Master Pakku refuses to teach Katara as well. In the Northern Water Tribe, you see, women waterbenders are dismissed to the healing huts. In a really short-sighted move, Pakku declares he’ll no longer train Aang after he discovers Aang has been passing his knowledge along to Katara. (I mean, really, this is the Avatar! What if the Avatar were a woman, huh? You’d refuse to teach Kyoshi, eh? I’d like to see that happening).

Anyhow, Katara is totally non-apologetic about flouting the Northern Tribe’s customs, and challenges Pakku to a duel. He won’t deign to fight her, but she forces the issue. She puts up a good fight, but is defeated.  However, Pakku agrees to teach her because she’s determined, driven and talented she’s the granddaughter of his lost love, who ran away from an arranged marriage with him because she didn’t love him.

O-kay. I suspect the writers made that up then and there. Because there is nothing before this episode to indicate that Gran-Gran was ever in the North Pole. Remember the Fire Navy ship in the first episode? Remember Katara saying how it had been there since her grandmother was a little girl?

And really, if Gran-Gran had come from the North Pole, it would have been common knowledge in the tribe. Why would she have bothered to hide her origins? And when she knew Katara was off to learn waterbending at the North Pole, wouldn’t Gran-Gran have warned her that they have dumb customs up there? Why send Katara off with no clue about what to expect?

And, really, who runs away from an arranged marriage with the betrothal necklace carved by the jilted fiance and then hands it down to her daughter and granddaughter as an heirloom? “Oh, yes, this necklace has a lot of sentimental value. I ran away rather than marry the man who made it for me.”

Riiiiight.

Okay, rant over. Back on track now.

Meanwhile, Admiral Zhao has collected a massive armada and comes calling on the Norther Water Tribe. Aang’s been goofing off in his waterbending classes, but Katara’s finally impressed Sourface Pakku with her drive and talent. (I really enjoy seeing Katara grow in her powers this series, btw. The things she does at the end–well, they’re a far cry from the girl who could just make a wobbly water bubble and then soak her brother with it).

Fire Nation and Water Tribe engage in some skirmishes. Yue’s dad puts together a special mission led by his boneheaded future-son-in-law, that fails miserably. Luckily, Sokka gets kicked off the mission, and assigned to protect Yue instead. One wonders if Yue’s father deliberately wanted to clear the way for Sokka–but no, that’s just my nasty Machiavellian mind talking.

Aang realizes he can’t take out the Fire Navy all by himself (just you wait, my child, just you wait) and needs help from the Ocean and Moon Spirits—hopefully a powerful Spirit attack, but wisdom would be good, too. So off he goes into the Spirit World. While he’s in there, Zuko shows up to snatch his body and he and Katara fight it out. Katara freezes him to wall in the moonlit night, but in two seconds the sun’s back up and he jumps out, knocks her out, and runs off with Aang. Our Heroes go off in search for Aang, find him and Zuko out in the blizzard and bring him back. Aang comes out of the Spirit World–turns out the Ocean and Moon Spirits aren’t there after all! Oh noes!

But Admiral Zhao knows where they are–in the sacred pond where Aang crossed over in the first place, disguised as fish (er, the Spirits are disguised as fish. Aang is not. Yet.). He takes out the Moon Spirit, which causes the moon to vanish from the night sky and the waterbenders to lose their powers. That angers the Ocean Spirit (hey, it’s stuck being a fish all by itself now? I’d be mad too!), and Aang combines with it to become this giant glowing fish thing which goes on a rampage and sinks all of the Fire Navy ships. By slashing at them with its giant glowy fin-arms. Powerful, but not as cool as bending.

Aang merges with the Ocean Spirit to become a glowing fish thing and unleashes an awesome spirit attack! Wisdom is overrated.

Angry Ocean Spirit also takes out Admiral Zhao personally, which is just as well. His preening and posturing didn’t make him a very scary villain, so his disappearance paves the way for a much more formidable opponent–for next season.

Of course, destroying the Fire Navy fleet doesn’t bring the moon back, but Yue has some of the Spirit in her from when the Moon Spirit saved her as a baby. So she dissolves into mist and becomes the new Moon Spirit (but not a fish) and balance is restored to the world, if not to Sokka’s heart.

Overall, I found the finale of book 1 satisfying, save for some minor plotting and timing issues. We’re into book 2 now, and the kids are enjoying Toph and (*sigh*) Azula.

what I’m playing: North & South

I discovered the BBC miniseries North and South (adapted from Elizabeth Gaskell’s novel of the same name) on Netflix’s recommended-for-you list. I’d just finished watching several film adaptations of Austen books, my husband was away for a few nights, and I needed something to while away my lonely evenings (okay, so I was avoiding writing). And, wow! North and South has catapulted to the top of my list of favorite classic adaptations, eclipsing even the Jennifer Ehle-Colin Firth Pride and Prejudice. You can keep your Mr. Darcy; Richard Armitage as John Thornton is much more interesting (and better-looking!) hero.

Gaskell’s stories are a different breed from Austen’s. Austen’s character studies are incisive, but her world is small and her focus tight. Gaskell, on the other hand, is a more passionate writer and willing to take on the larger issues of the Victorian era. In North & South, she depicts the differences between the industrialized North (of England) and the more rural South in the clash between “master” John Thornton and newcomer Margaret Hale, a former rector’s daughter who sympathizes with the workers. Gaskell highlights the problems of industrialization–low wages, poor working conditions, chronic health problems–which drive the workers into a protracted strike, a “war” against the mill owners. The strike creates its own issues for workers and owners alike, however, and Gaskell meets them head on.

This is also a fish out of water story, a theme I very much enjoy. Daniela Denby-Ashe’s Margaret is level-headed and capable, yet grieves the loss of her rustic home deeply. It’s a shock to her to coem from the sunshine, fields and slow ways of the South to the grey, grim, dirty and crowded North. Unused to the ways of the North, she bungles her initial social interactions, but is quick to admit fault and make amends–mostly. She takes Mr. Thornton in deep dislike right from the beginning (a la Elizabeth Bennet) and it takes most of the book for her to come to see his value. Indeed, it takes her most of the book to see the value in his industrial town, the fictional Milton. It’s a long, heartbreaking journey (there is some melodrama in the story, but I don’t mind it).

One of my favorite scenes of the series is this one, depicting Margaret at her lowest point, seeing Milton in the worst light:

Thornton, a self-made businessman, epitomizes the dynamism and industry of the North. He’s blunt and forceful, but Richard Armitage imbues his character with passion and integrity also. I like that Thornton works for a living, that he’s worked hard to get where he’s at, instead of being born into it and spending his time on an endless round of house parties.

The soundtrack is beautiful and haunting, but unfortunately BBC has released neither a CD nor the score for it. After hunting around on the Internet (and YouTube) for a bit, I found an arrangement for a piano version of this:

And that’s what I’ve been playing recently.

image

Thanks to my husband for the link!

what i’m watching: avatar the last airbender

Some notes about the few episodes we watched last week (warning! there will be spoilers):

Jet–Leadership’s a big theme in this one. There’s Sokka, the untried provincial, realizing that being the best warrior in his village of women and preteen boys doesn’t mean much. He makes many tactical mistakes, but his moral compass points true. Aang should be the leader because of his power and responsibilities, but–as Sokka puts it–right now he’s just a “goofy kid”.  And then there’s Jet–he’s skilled, he’s been tested, he’s created a successful resistance movement and he’s got an extremely loyal following, yet he’s blinded by his hatred for the Fire Nation. Worse, his glamor has his minions so besotted they do everything he says, including beating up old men and drowning villagefuls of innocents.

I liked the fight involving leaping through autumnal treetops. Nice nod to–Hero, was it?

The Great Divide–filler episode. Had some cutesy stuff, but the two groups were so stereotyped it was hard to care what became of them. And, really the bulk of the danger could’ve been totally avoided if the guide had just said, “Hey dudes, ditch the food, or else the giant crawling bug-things are going to eat us”. Plus I don’t really like Aang lying, even if he did have good intentions.

The Storm–I like the parallels between Zuko’s and Aang’s backstories. Both are so far from home, one banished, the other a runaway from across time. Zuko’s backstory is more compelling simply because of the sheer horror of his punishment, and his deep longing to repair the fracture in his relationship with the Fire Lord. Sir I. had a hard time wrapping his mind around what happened to Zuko–he simply doesn’t have a category for fathers who shoot fireballs at their son’s faces and then banish them in order to teach them a lesson.

The Blue Spirit–This is one of my favorite episodes! Great action, great music (ever notice how those often those two go together?). Note the massive amount of eyebrow-twitching. The Blue Spirit is a smart, skilled fighter. It’s as if Zuko sheds his insecurities when he puts on that mask. The episode ends on a perfect melancholic note. The Tsungi horn is so haunting.

The Fortune Teller–I totally sympathize with Sokka in this one. *facepalm*

Rocket Punch!

Blogging about cartoons has made me all nostalgic for my own safe, sweet childhood. I was the kind of kid who loved rainbows, ponies, princesses and… GIANT ROBOTS!

I’d get up at 5 or 6 am to watch Transformers (don’t ask why it came on that early–it’s Pakistan). I caught every episode of Voltron—lions and vehicles. I scoffed at the Go-bots–but still watched.

But none of those were my first robot love. Before I’d ever heard Prime say, “Autobots, transform and–roll out!” or seen Voltron put a big X in his enemies with his blazing sword, there was…

MAZINGER Z!

I was 4 when we got our first VCR. Mazinger Z was one of the few videos my family owned (don’t worry, I had the English version). I watched Mazinger Z every single day after I got home from Montessori school–the same four or five episodes over and over again.

I loved Mazinger Z, not for his power, but for sheer dogged determination. He was the solid, reliable kind of robot. The evil robots were the ones who got all the glamorous super powers–they could fly, break the sound barrier, shoot lighting out of their heads, break apart and reassemble. Poor Mazinger got left behind, electrocuted, beaten up and battered. But he never gave up. I loved him because he was the underdog who persevered and won.

Thanks to the ‘net I get a chance to relive a little slice of my childhood. “From his wrists, hands that fly! Launching a rocket punch! From his chest, laser fire! Fighting with light energeeeeee!” Go, Mazinger, go!