writing & publishing update

It’s been a while since I did one of these.

It may not look it from my blog posts of late, but I have been a busy worker bee behind the scenes.

I just finished the final copyedits on Quartz, Book One of the The Sunless World (yes, the series finally has a title!). Copyediting requires a different kind of mindset from writing/revising, and honestly, I spent way too long dithering over things like when to capitalize a person’s title (in this case, Ambassador) and how I really, really felt about the Oxford comma.

Not to mention having to continually resist the desire to rearrange sentences and add new little details.

I was able to break out of the endless tinkering mode last night and email the manuscript to my Most Excellent Spouse, aka the Formatting and Layout Guy. In July, I’ll be working with a cover designer for the book.

I haven’t decided when I will publish. Usually, I upload as soon as a book is done, but I’ve heard summer tends to be sluggish in terms of sales. I’m thinking of utilizing my pre-order options (and, yes, part of me wants to do it just because :D) and spending some time getting the word out before publishing early fall.

Any opinions on this would be gratefully considered.

On the writing side of things, I’m working on The Sunless World 1.5, a novella set in the gap year between when Quartz ends and its sequel, Flare, begins. The novella is set in another part of Rafe’s world, which I’m thrilled to play in, and told from the POV of a character who, sadly, isn’t slated to get much (if any) scene time in Flare.

I’ve also written some shorter stories. I’m still plugging away at the Planets Project: I just finished the Uranus fic. Two more–Neptune and Mercury–to go!

I’ve decided to make Friday Fiction a regular feature of this blog. On the second Friday of every month, I will post a for-fun flashfic. These days, I’m breaking classic children’s picture books (revenge for all those times I read them out loud over and over and OVER again? Hmmm!). The first two are The Feline in the Fedora and Goodnight, Celestial Object. Should be obvious from the titles which stories I’m alluding to!

How about you? What are you writing these days? Published anything recently?

3 Self-Publishing Mistakes I’ve Made

A little over a year ago, I published–with much fear and trembling–my broken fairy tale collection, Shattered. (I felt sick to my stomach after I clicked the Publish button. If it hadn’t been for the fact I’d had other people working with me on it, I’d have unpublished it within the first few minutes.)

Since that time, I’ve gone on to self-publish a few more books and made some mistakes along the way (which I did so you don’t have to!). So, without further ado, I present my top 3 self-publishing mistakes (cue the trumpets).

The Downside of Diversifying

Earlier in the year, I talked about putting my eggs into lots of little baskets rather than the one big one (*cough* Amazon*cough*). To that end, I’ve started serializing my science fantasy novel, Quartz, and written short stories for specific anthologies and magazines. Unfortunately, this meant that I haven’t published an e-book since the launch of Mourning Cloak, at the end of January. Once Mourning Cloak fell off the recent releases lists on Amazon, sales dried up (Ouch, April. Ouch.)

Solution: I should be publishing an e-book (novel, novella, short story, collection) every 2-3 months. Right now, I’m working on a follow-up to Shattered. The fairy tales I’m breaking? Cinderella, Sleeping Beauty and The Little Mermaid.

Scared of Sequels

I’m not a sequel writer.

There, I said it.

I know, I know. I’m a fantasy writer. But still.

I write a novel or short story or novella and instead of reusing my world or my cast, I simply move on and build another world and cast from scratch. Barring a handful of short stories featuring the same character, I don’t do sequels.

But readers like sequels. They ask me for them. I’m thrilled that they’re so invested in my characters that they want more of their story, but I’m terrified of breaking the first story or disappointing my readers’ expectations.

That’s a block I need to get over.

Solution: I wrote the first draft (zero draft) of a follow-up novella to Mourning Cloak. I’m determined to get Ironhand into shape and out to the world by late summer/early fall. After that, I’m going to write Flare, the sequel to Quartz. Once the sequels are out of the way, then I’m going to give myself permission to play in a new world (looking at you, Riven!).

Low Productivity

It’s a rare author who hits it out of the ballpark with their first book. In the indie world, especially, most writers are successful because of their big backlists.

I mentioned at the beginning of the year that I was tracking my raw first-draft numbers. They aren’t impressive.

Look, I’m going to be brave and post them up here:

  • January: 5,661 words (really pathetic)
  • February: 16,683 (much better)
  • March: 13, 817 (okay, why’d I backslide here??)
  • April: 15, 533 (and this after being sick and undisciplined for the first half of the month!)
  • May: 10, 548 (better than January, in spite of going to a con, testing for school, and getting ready for vacation).

Ideally, I’d like to write 25K worth of raw first draft words a month (a half-NaNo).

Solution: All right, this is the tricky part, isn’t it. Sure there are all sorts of motivational tricks to get you writing, but what it all comes down to is this: How much of my other activities am I willing to give up to make this happen? How much is writing worth to me right now?

Is it worth giving up sleep over? Worth giving up the time I spend researching, thinking about, and doing school with my children? Worth giving up my RSS feed and Dr. Who episodes for?

It’s a decision that’ll be different for everyone. For me–well, I’ve done NaNo. I know what it is to breathe, eat, sleep your story. I know what it’s like to have it spin through your head constantly and how hard it is to emerge from the story zone. And that’s not what I want in my life right now. I have young kids who deserve a mom who’s not checked out for most of the day. I can give a few hours a day to writing, but I can’t let it take over my life like that.

Simply put, writing isn’t my day job. Mothering/homeschooling is. It’s within these limits that I need to work on increasing my productivity (which I’m not doing too badly with now that we’re back from Disney and it’s summer vacation).

What about you? If you’re a self-publisher, what mistakes have you made? What mistakes have you seen other self-publishers make?

proofs! and a release!

My proofs for Rainbird and Mourning Cloak arrived earlier this week.

Aren’t they pretty?

Proofs

They look EVEN BETTER in real life.

There really is nothing like seeing your name on the cover of a physical book. I had an ear-to-ear grin on my face for about an hour after they came.

Right now, David’s checking them for errors (I know, I know, I’m spoiled). They should be ready to go in a week or so. Keep an eye on this space!

***

One Small Step

One Small Step: an anthology of discoveries launched last weekend at Conflux. Jo Anderton and I have a story in there. “Sand and Seawater” has already gotten some nice shout-outs on Goodreads, and the anthology as a whole has been favorably reviewed in places like Publisher’s Weekly.

Next week, I’ll post about our experience collaborating on this story.

***

I’ve been busily working away on some short stories for the past couple of weeks, including some broken fairy tales for a follow-up to Shattered. I’m hoping to get that out in June and then buckle down to Ironhand and release that a couple months later.

What are your writing plans? Do you have any new or upcoming releases? Let us know in the comments!

cartoon jaguars talk art and business

Last week, I talked about what I’ve learned from my favorite how-to freelance book, The Freelancer’s Survival Guide by Kristine Kathryn Rusch. The week prior to that, I shared 4 things I’m doing as a working writer.

Now that I have a writing-as-business theme going, I’m going to continue it.

Back when I first self-published Shattered, I had little clue about how to go about running my brand-new business. Luckily, I stumbled on to another of my favorite art business resources, this time by author and artist M. C. A. Hogarth. She uses three cartoon jaguars to illustrate business principles, first in her columns and most recently in a webcomic. What I love about Hogarth’s approach is that she puts both the right and left sides of the brain to work for the professional artist.

Hogarth separates the roles of a working artist into three: Artist, Marketer, and Business Manager (hence, the three jaguars). This trichotomy (oh look, it’s actually a real word) makes it easier to put needed walls between the various roles–and also the doors that act as communication channels between them.

Hogarth has a ton of great insights, but my single biggest takeaway from her columns (we’re talking about fireworks going off in my head, people) is this one.

Ready?

copyright M. C. A. Hogarth, used with permission from the artist
copyright M. C. A. Hogarth, used with permission from the artist

Every artist should internalize this principle–preferably before you bring your work into the marketplace (or else the economic realities might well crush your very soul).

Every piece of art–a one-of-kind costume, a story, a musical composition–has inherent value. Its value is in what it means to the artist and/or the emotional response it evokes in someone who experiences it. This is not a value you can put a dollar price on.

However, what you put on the marketplace is not art, but a product. A short story that sells to an anthology is a product. A song available as a digital download is a product. The handmade doll on the vendor’s table at the Renfest is a product. And products are subject to economic realities like demand and supply to determine their prices.

Making that distinction is helpful because it separates artistic merit (or value) from monetary compensation. It keeps the Artist part of you from sinking into a funk because you put the novel that took you a year to write on sale for 99 cents. It keeps you from tying your artistic identity too closely to sales and money.

It also helps to realize, as Hogarth explains in a different column, that a single piece of art can be the basis of many products.

Before reading the three jaguars columns, I had the attitude that once I sold a story, it was gone. First rights had been all used up, and there was nothing else I could do with it.  If I was very very lucky, and the stars were aligned just so, an editor might ride up on a white horse contact me for reprint rights, but I wasn’t holding my breath.

Hogarth’s examples showed me how limited my thinking was.

Today, thanks in large part to a changing industry, I can create many different products from that one short story I sold to the anthology. I could bundle it with other short stories and sell it on Amazon. I could license its audio rights to a podzine. I could have it translated into different languages. I could sell it to a magazine that accepts reprints.

Each time that one story is re-released in a different format or venue. One story becomes many products.

I’m currently serializing Quartz, a science fantasy set in a sunless world, using the same model Hogarth uses for her serials. Quartz updates weekly on Tuesdays, but a $5 donation gets you an extra episode on Saturday. Once the serial is run, I’m going to have it formatted into an e-book and put it up on Amazon, Smashwords, Kobo and all. Someday, I might even hire a narrator to do an audio version. One story becomes three products–each reaching a different market.

This concept also takes the pressure off me as an artist. I’m working on increasing my productivity (mainly by plugging my biggest leak, the Internet), but I can also enlist my Marketer’s help in finding new places for my existing work. Artist’s output may vary from month to month, but it’s the Marketer’s job to impose regularity in the production schedule.

All of Hogarth’s columns are well worth the read. Also be sure to catch the webcomic’s current storyline about why any artist being paid for her work needs to pay attention to the business side of things. It could save you a world of trouble.